Recently, I have criticised Mike McCormack, National Historian of the Ancient Order of Hibernians for his fake research and ignorance, especially in relation to the Irish Slavery Meme. One of these criticisms centred on his gullible acceptance of the claims of the late Dr Barry Fell, who claimed that the Americas were peppered with inscriptions in various European languages which prove that Celts, Libyans, Ancient Egyptians, Greeks and what have you were all happily involved in trade and exploration in the New World thousands of years ago.
I have already given links to some of Barry Fell’s claims and to refutations of Fell’s ridiculous theories. However, to a debunker like myself, Barry Fell’s ideas seemed worth looking at because of the strong odour of bullshit emanating from them. With that in mind, I ordered a second-hand copy of America BC.
I can fully understand why people of limited education would be impressed by the book and by Fell’s credentials. Fell was a Professor at Harvard. However, significantly, he was a Professor of Marine Biology, not of archaeology or linguistics or ancient languages. Mike McCormack was also impressed at the fact that he was President of the International Epigraphic Society, though it should be pointed out that Barry Fell founded the Epigraphic Society and it was pretty much a one-man band. The book is full of convincing illustrations and diagrams and maps. There are comparisons between Egyptian hieroglyphs and a writing system used a few hundred years ago by Micmac Indians, which look really convincing. More on that later.
The reaction of the world of academia to Barry Fell’s claims has been almost entirely negative. A close associate of Fell’s called Norman Totten was also an academic at Bentley College and a genuine epigrapher called David Kelley who worked on Mayan also took his work seriously. (Though Kelley criticised much of Fell’s work, he accepted the idea that there were genuine European rock-carvings in the Americas, a belief that is not shared by most experts in anthropology or history or archaeology.)
Of course, conspiracy theorists and other lovers of the arcane and weird will no doubt take the contempt of the academic establishment as proof that Fell was onto something rather than as proof that he was nuts.
As I’ve said, one of the things that has convinced many people is where Fell takes a hieroglyphic system which was in use by Micmac Indians. There are no petroglyphs (rock carvings) which use these Micmac hieroglyphs and many experts believe that the system was invented by a French priest, perhaps using some traditional mnemonic signs which had been painted on birch-bark by the Micmacs. Fell plays down the amount invented by the priest and stresses the antiquity of the system. He also presents extremely convincing (on first inspection) correspondences between a Christian religious text in the Micmac system and Ancient Egyptian. However, although I don’t know anything about Egyptian hieroglyphs (or Micmac, for that matter), I am suspicious for several reasons.
Firstly, if I used a hieroglyphic system to write a sentence of English and the same sentence in Irish so that the principal concepts were represented by signs and not by an alphabet, the signs wouldn’t appear in the same place in the two versions. Yet in Fell’s version, the Micmac and the Egyptian correspond perfectly. This is doubly surprising because it appears that the Micmac system was a mixture of logograms and phonetic elements (like Japanese writing), as was Ancient Egyptian. In most cases, the correspondences of the Micmac symbols and the Egyptian symbols given by Fell aren’t that similar, even in his version. While I would like to see a proper treatment of this by an Egyptologist, I have searched out a few Egyptian hieroglyphs, such as heaven, gold and silver and I have been unable to find the same versions given by Fell. In other words, Fell’s version of Ancient Egyptian doesn’t seem to be genuine.
Let’s take a look at one claim made by Fell in the book which gives a good indication of how he did things. We have already looked briefly at the ogham script in a previous post. This was a Celtic script found in Ireland and Britain, which used scratches around a stem line to represent letters. Fell often ‘identified’ letters where there were fairly random scratches and no stem line, which is like a fraction without a denominator.
Fell also claimed that ogham was used as a kind of secret signalling system and he gives a table of hand signals which looks like some kind of deaf sign language. It doesn’t use vowels (which real ogham did), and the consonants are arranged into three groups of five, one with the left hand, one with the right and one with both hands. The claim that ogham was used for signalling is also found in Macalister’s Secret Languages of Ireland, but Macalister suggests that this was done in two ways, as Nose-Ogham, where the nose was used as the stem line and the fingers of one hand represent the letters, or as Leg-Ogham, where the fingers were arranged around the shinbone to represent letters. So where did Barry Fell’s two-handed version of the ogham signalling come from? There is no way of knowing, but the most likely conclusion is that Barry Fell made it up.
Then Fell looked at two Iberian statues which show people with fingers sticking out, corresponding to ‘letters’ on his made-up ogham chart. Apparently one of these, a naked statue, represents a warrior (because it’s naked and ancient Celtic warriors fought naked!) and his hands spell out the letters Q _ B. However, in the text, it says that it is Q _ T, representing the modern Irish word ‘cath’ meaning battle. (in other words, the caption and the text give two different versions of the two consonants!) He also shows a statue of a woman, whose hand signals supposedly correspond to Q _ N in Irish, or the modern Irish caoin, ‘mourn’.
To me, looking at these claims rationally, there are a number of possibilities, not just Fell’s certainty that he had solved a mystery and got it right:
- These statues have their fingers pointing in random ways and there is no significance to the way their hands are depicted.
- The fingers of the statues have some significance within the culture which produced the statues (a blessing, for example) but we don’t know what this was.
- Fell was right about the fingers having some alphabetic meaning but it could have been a completely different alphabetic system (since Fell’s version of ogham signalling is unsupported by any evidence).
- Fell got it right about the letters but was wrong about the language and it could have been some other language entirely.
- Fell got it right about the letters and the Celtic language but the meaning was completely different. After all, the letters q-n could stand for head, or dog, or harbour, or quiet, depending on the vowels you choose to put in.
You could probably add to this list. I think 1. and 2. above are probable, while 3, 4 and 5 are highly improbable, or almost impossible. So, why did Fell believe he’d got it right if it wasn’t true?
I don’t know. There are some people who think they are always right, regardless of the subject. And though Fell was undoubtedly clever, there is no doubt that some clever people get the most outrageously stupid ideas in their heads and somehow manage to maintain them alongside more rational beliefs. (We have looked before at Charles Mackay, who was both one of the first identifiers of crankness and a major etymological crank.) I think Fell was one of those people who is mad with regard to one thing and rational about everything else. I could be wrong about that, but the fact that he identified Maui, the great Polynesian ancestor, as a Greek student of Eratosthenes, and ‘translated’ the mysterious Phaistos Disk, though he didn’t know what language it was written in (only that it was related to Luwian, apparently), don’t inspire confidence. Here is his confident and unfaltering ‘translation’ of the front of the Phaistos Disk:
The omens that you seek are explained in this tablet, every one. The omens that are sent forth for man’s destiny, every one. Whatever you may ask, great or small, if you are worried, is given (an answer), every one. Seek an omen by offering a sacrifice to the birds, that the Gods may be well disposed. Ask anything you wish, on this tablet is explained everything. You may ask anything by sacrificing an offering to the birds, that the Gods may from Heaven send forth an omen; everything is (answered) above the earth, deceiving never, everything. And so men may ask for protection, everyone. Should they (the Gods) be angered by something, or by the sacrifice, ill omens are released, all of them, signifying death or disaster; which appear upon asking, all of them.
Another reason to doubt Fell’s book is how old-fashioned it all looks now. It was published in the 70s but there is something very hippy about it. When I look through the photographs in the book, there are many photos of hairy archaeologists, often stripped to the waist, and line drawings of equally hairy ancients totally naked, some of which remind me of The Joy of Sex. (The Joy of Texts??) There is a lot of stuff about phallic cults. Apparently there are stone phalli in Vermont (no, not really) which have ‘ogham’ inscriptions referring to male fertility. Irish and Gaelic speakers will be very surprised to learn that ‘bog bod’ meant ‘erect penis’ to our ancestors. As the primary meaning of bog is soft, that doesn’t make any sense at all. Oh, and the adjective follows the noun in Irish.
In other words, America BC is a load of shite. Only an idiot would buy into this crap, and that’s why academia has ignored it – because there really is nothing of any value to it. Like the Irish Slavery meme, or Cassidy’s fake etymology, or the nonsense about Irish vampires, this is just fakery promoted by people who have no bullshit sensors and no common sense.